Coins from Frankfurt 1647-1658

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1Albus
1Albus
I soon became curious as to what kind of money was around during Maria Sybilla's lifetime; the hunt was on!
This coin was minted in Frankfurt in 1647, the year Maria Sybilla Merian was born.  Its denomination is that of an Albus.  Having never heard of that before, I began to research to try to get an idea of how much it was worth at the time.  That, I soon discovered, is practically impossible to do.  Not only were different coins minted in different cities and different areas, but there were also coins that were called by the same name that had a slightly different values.  Throw in exchange rates and it all gets very confusing.  Now add the fact that there is very little written about what things cost back then.  I have no more idea of what it's worth now than I did when I started!
BaptismCoin
BaptismCoin
These coins were given to the parents of newborns when the baby was baptized.   The side with writing on it says: "Be true until death and I will give you the crown of life." 
This coin was minted  to celebrate the coronation of Leopold I as Holy Roman Emperor.  The coronation and celebration was held in Frankfurt when Maria Sybilla Merian was eleven years old.  The inscription is in Latin; the date given is Ausust 1, 1658. 
I find it fascinating that these coins are still in existence!

Lantern Bug

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On wet sandSide pinnedWings pinned
While Maria Sybilla Merian was in Surinam, South America, she  was given some of these insects in a box.  They are so unusual looking, I just had to see a real one.  Since I haven't managed to get to Surinam and the rainforest there, I bought a Lantern bug ( scientifically known as Fulgora lanternaria ) from the internet!  Then I had to learn how to go about mounting it.  Thomas J Riley, entomologist and photographer, emailed me detailed instructions; and David E. Bowles, entomologist and Professor of Biology, gave me some mounting pins to use; both were very much appreciated!
Since it came as shown in the first picture, it had to be "relaxed" first.  I slit the plastic it came wrapped in to allow moisture in.  Then I placed it in a plastic contained partially filled with wet sand.  On top of that I placed a piece of matboard cut to fit the container.  On went the lid, sealing the bug inside with all that moisture.  And I waited…and waited…and waited.  On the fourth day I took the bug out and carefully took off the plastic it had been shipped in.  I lightly touched the wingtip; it was slightly flexible.  I put it back and closed the lid.  The next day I tried again.  Again I was afraid the bug wasn't damp enough to spread its wings.
Day six.  I did it!  I discovered that the groove I made in the piece of styrofoam was a bit too large there in the middle, so I scooted the bug up.  His peanut shaped protuberance in front of his eyes sticks out over the edge of the styrofoam.  It was actually easy to gently pull the wings into position, place the strips of paper over the wings to hold them down, and pin through the paper to hold the wings in position.
Now I wait some more.  After this unusual bug dries out again, I will mount it in a display case.  I'm ready!  In fact, I'd like to do another one!

From One Place to the Other

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Interior of the Dom
Interior of the Dom
After a new Emperor of the Holy Roman Empire was crowned––in the Dom, shown on the left, he proceeded to the Kaisersaal––shown on the right––for a huge banquet held in his honor.
It's amazing how tall those old churches are, and how beautiful.
It's difficult to even imagine the long process needed to build such an imposing church without the time-saving conveniences of modern technology.  But I'm sure the construction of such a building provided good employment for a lot more people, too.
And speaking of construction, there was a lot of that, or maybe it was restoration and repair, going on when I was in Frankfurt.  And since all the scaffolding is usually covered, that makes it impossible to get a good view of the buildings in question.  Both the Dom and the Romer had such scaffolding when I was there.  It wasn't tourist season, yet, so maybe they were trying to have everything done before all the tourists came.  (Well, it sounds good, anyway.)
The Kaisersaal, which was used as a banquet hall, was fascinating in a different way.  I just couldn't get over the fact that the left side of the room is actually longer than the right side!  Looking at the curved beams of the ceiling is about the only way that can be seen in a photograph; there's an extra one on the left side going only to the center. (Looks a bit strange when you walk to the windows!)

Child’s Chair of the 1600′s

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Chld chair 1600s
Chld chair 1600s
I saw this chair in one of the museums in Frankfurt am Main.  Hmmm…looks more comfortable than chairs we have for kids today.  It's a nice leather chair.  With the tray it's not only good to use for feeding, but could also be a place to set a child with a toy or two for entertainment.  Would that have been the option before the days of playpens?
And, of course, I have to wonder…did Maria Sybilla or her daughters ever sit in a chair like this?

Briggegickel

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image of rooster and cross on the bridge

During my research I saw an old map view of the city of Frankfurt am Main that was engraved by Matthaus Merian, the father of Maria Sybilla Merian.  On this map were the tiny figures of a (dark) crucifix with a (gold) rooster above it.  This was placed to indicate the middle of the bridge where the river was deepest.  The larger boats needed to stay in the deep section going under the bridge; if they chose one of the other arches they could easily have ended up stuck in shallow waters.

There is a legend told of this golden rooster, called by the old name of Briggegickel.  It seems that each time a bridge was built over the river connecting Frankfurt with Sachsenhausen on the other side, before long it would be washed away by a flood.  The city decided this time the bridge should be of stone.  They hired an expert stonemason to do the job, then told him it had to be built in two days.  He rounded up a crew and they went to work.  He realized that it would not be done in time and was very worried.

A stranger appeared to the stonemason and said that he could get the bridge finished in time, and for payment he required only the soul of the first two-legged being to cross the new bridge.  The worried stonemason, seeing hope for the first time, quickly agreed.

Early the next morning the stonemason awoke with a heavy heart.  His shoulders slumped as he went to join the town council for the opening of the new bridge.  He realized that, as the stonemason hired to build this bridge, HE would be the first to cross it.  And he had agreed to exchange his soul for the completion of the bridge.  He had made an agreement with the devil.   Almost at the bridge, his footsteps slowed.  He looked around and saw a rooster strutting nearby.  He grabbed the rooster and ran to the edge of the bridge.

The devil was waiting at the other end.  The stonemason tossed the rooster onto the bridge.  The squawking rooster ran the length of the bridge to the other side.  ”There’s your two-legged being!” shouted the stonemason.  And he leaped for joy because he had just beat the devil.

The stonemason told the city council what had happened; the story spread.  A sculptured golden rooster was added to the crucifix on the bridge to commemorate how the stonemason had outwitted the devil.

The golden rooster and the dark crucifix can be seen today in the Historical Museum of Frankfurt.

Hahn
Hahn

Narrow Street

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Narrow Street
Narrow Street
Here are two views of narrow streets in old Frankfurt.  The one on the left is a restored version of the old style; the other one is an old postcard of Rapunzel Lane.  There is today a Rapunzel Lane just past the Marketplace of the old city––perhaps the same street?  When I photographed that narrow street I failed to write down its name, but it's in the right vacinity to be the same one.
Being there helps you to visual how it must have been before cars.  Imagine wooden carts and wagons, and carriages being pulled by horses––the rattling of the wheels against cobblestone, and the clip-clop of hooves.  I wonder if it was noisier than today's traffic?   (Pedestrians beware, even back then!) 
The little streets were also rather dark even on a bright sunny day because the rays of the sun just didn't reach down into them.  Gloomy days must've really been bad!

The Old Frankfurt City Hall

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RömerRömer_mkt
 The Römer, which consists of these three buildings with their stair-stepped facade, was the old City Hall where all official functions and events were held.
After being crowned Holy Roman Emperor, Leopold I and his entourage walked from the church to this market square. The procession then entered the Limperberggasse on the side of the Römer and through wrought iron gates into a courtyard at the rear.  They then entered an upper level of the Römer by walking up a cupola covered circular outside stone stairway.  Entering a large room, they walked through a door on the left into the Kaisersaal.  Here is where the celebratory banquet was held for the new Emperor.
The Kaisersaal, with its large windows, was flooded with light.  The room has an arched, half-barrel ceiling.  The floor is a pattern of light colored wood squares enclosed in bands of dark wood.  But what I found to be the most interesting feature of the room is that the left side of the room is noticeably longer than the right side!
On display in the Kaisersaal is an engraving depicting the procession of Leopold I through the marketplace crowded with people.  This engraving was created by Caspar Merian who was Maria Sybilla Merian's half brother.  The engraving also shows a large wooden shed near the Nikolai Church at the corner of the marketplace.  In this open shed is a whole ox roasting on a large spit.  This is in preparation for a huge feast, not only for the officials but also for all the citizens of Frankfurt. 

Eschenheimer Tower

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Eschenheimer Tower
Eschenheimer Tower
Another part of the old city of Frankfurt is the Eschenheimer Turm (tower).  The rectangular base was completed in 1400; the circular tower in 1428.  It used to be one of the gates to get into the city.  Today the fast paced city traffic zips around and past it.
This tower was once one of 60 towers, all part of the city wall which encircled the town.  It was the only one saved when the city wall was torn down back in 1812.  Now it is a city landmark.
There is a cafe somewhere upstairs in the tower.  I would have liked to have visited this cafe; unfortunately it was closed the only time I managed to be in this area of the city.

Search for the Old City Continues

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Model of the Dom (church)
Model of the Dom (church)
  This time I had better luck in getting a feel for the size of the old city of Frankfurt am Main.  A wonderful scale model replica of the city is on display in the Frankfurt Historical Museum.  The model, built by brothers Hermann and Robert Treuner were made on a scale of 1:200.  They began working on this in 1926 but were interrupted by the devasting bombing of Frankfurt during WWII which totally destroyed everything.  (Well, everything except for one building–that's all that was left!)  Hermann Treuner finished what he could in 1955.  The model does not show the entire old city because the documentation of how it all looked was gone.  He could only finish what they already had to work with.
  Still, by comparing this model with maps showing the old city, it was much easier to get a sense of the size.  Everything still seemed close and easily within walking distance.
  The city model also showed dramatically how the St. Bartholomew Church (also known as the Dom) rose majestically above the rest of the city.  It's spire could be seen from anywhere in town.  This is the church where Leopold I was crowned Holy Roman Emperor when Maria Sybilla Merian was eleven years old.

Ice Sculptures in Branson

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carvingice Ice swordfish

My son-in-law and I spent the afternoon in Branson marveling at the creativity shown by all the sculptures there.  Watching the artists at work was fascinating!  The weather was way too warm, though, and made their job much, much more difficult.  The bright sunshine was a major hazard; even an overcast day would have been better for them.    I, however, was thoroughly intrigued watching how they added pieces and reattached parts that fell off.

Of all the tools the artists used–chainsaws, chisels, drills, etc.–the most unexpected was the ye ole household iron!  The combination of applied heated board to one surface and dry ice to another seems to act as a glue when the two pieces are then put together.

This was the first time I have seen such an event.  It will not be the last!